1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | The Cross on the Mountain | Brennendes Neubrandenburg | Ruine Oybin bei Mondschein | Port by Moonlight | Arctic Shipwreck |
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Jacques Le Moyne de Morgues
French painter, illustrator and explorer. c.1533 -1588 French painter, illustrator and explorer, also active in Florida and London. In April 1564 he sailed with Ren? de Laudonni?re as artist of the Huguenot expedition to Florida. In September 1565 the Spaniards overran the colony, but he escaped and returned to France. By c. 1580 he had settled in Blackfriars, London, 'for religion' and received letters of denization on 12 May 1581. He later came into contact with Sir Walter Ralegh and his colonizing circle and with John White, the artist of the first English colony of Virginia, with whom he exchanged ideas and perhaps collaborated. Ralegh commissioned him to illustrate the Florida enterprise, and Le Moyne produced an account Brevis narratio eorum quae in Florida
Juan Manuel Blanes
(June 8, 1830 - April 15, 1901) was a noted Uruguayan painter of the Realist school. Blanes was born in Montevideo, Uruguay, in 1830. He was raised by his mother, with whom he relocated to the countryside in his early teens. Blanes took an interest in drawing at this point, and shortly afterwards, was hired as an illustrator for a Montevideo newsdaily, El Defensor de la Independencia Americana. Earning extra income with watercolors, he returned to his mother and, in 1854, established his first atelier. He married Marea Linari, and in 1855, the couple settled in Salto, where he worked as a portrait painter. They relocated to Concepcien del Uruguay (across the Uruguay River, in Argentina) in 1857, and Blanes was commissioned by Argentine President Justo Jose de Urquiza to complete a number of portraits, allegories and landscapes to grace his nearby estancia, the Palacio San Jose. Returning to Montevideo in 1861, the talented painter obtained a scholarship from the Uruguayan government, and with it, traveled with his family to Florence, Italy, where he studied under Antonio Ciseri until 1864. The experience became a valuable calling card for Blanes, who became of Uruguay's most sought-after portraiteurs. The 1871 outbreak of a yellow fever epidemic in Buenos Aires inspired his first renowned work, which he exhibited to acclaim in the recovering city. His 1872 portrait of the Argentine War of Independence hero, General Jose de San Marten (The Review in Rancagua), was also a success in Buenos Aires, and Blanes was invited to Chile to display the historic depiction.
PELLEGRINI, Giovanni Antonio
Italian Rococo Era Painter, 1675-1741 Italian painter. With Sebastiano Ricci and Jacopo Amigoni he was the most important Venetian history painter of the early 18th century. By uniting the High Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano, he created graceful decorations that were particularly successful with the aristocracy of central and northern Europe. He travelled widely, working in Austria, England, the Netherlands, Germany and France.